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Barrientos C. - Mambo For Mo - Guitare
8.00
Barrientos C. - Mambo For Mo - Guitare
Guitare
Guitare classique
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The composer says: Several musical threads led to my writing this piece of musi...
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The composer says: Several musical threads led to my writing this piece of music to celebrate my friend Matanya Ophee's (AKA MO) 80th birthday - a life lived with the guitar. Jelly Roll Morton once asserted: 'In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning; I call it, for jazz.' Over the last couple of years I moved back to Jelly Roll Morton's city: New Orleans, home of my adolescence and reacquainted myself with the tinges of Spanish in its rich musical heritage. One of these pieces was the Mardi Gras Mambo, an iconic song frequently played during Mardi Gras and, in David Newman's reworking of the lyrics, at the New Orleans Saints football games as the Super Bowl Mambo. Uncited sources on both Wikipedia and Essortment say the word Mambo means 'conversation with the gods' in Kikongo, the language spoken by Central African slaves taken to Cuba where it became the name for a musical form and a dance style that developed originally in Cuba in the able hands of Cachao's (Bassist Orestes Lopez) tune: Danzon Mambo. This rhythmic style became famous in the 1950's following its use in dance bands in Mexico and through New Orleans to the United States. The infectiousness of the New Orleans re-interpretation of the Mambo's ostinato bass line and the reaction of people who are readily moved to dance when they hear it spoke to me of dance and celebration. This led me to choose some of this piece's characteristics and title for this piece: Mambo for MO. As we have progressed on the instrument, some of us may have encountered the four-chord descending minor chord progression known as the Andalusian cadence: i - VII - VI - V in many different genres and guises. After all, it appears in Ray Charles' Hit the Road, Jack, the verse on Good Vibrations by The Beach Boys, Walk, Don't Run by The Ventures, Runaway by Del Shannon and in that great work arranged and embraced by the Guitar: J.S. Bach's Chaconne from the Partita in D minor for solo violin, BWV 1004. This bass line derived from a Latin American musical style as reinterpreted in New Orleans, a chord progression that evokes the Flamenco Music of Spain, and my impressions of the sinuous lines of people dancing the Second Line in the streets of New Orleans at Mardi Gras led me to this synthesis as a tribute to a man who has contributed so much in his lifelong efforts for the guitar, its history and lore on the occasion of his birthday! Happy Birthday, Matanya! Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare's Twelfth Night, and played incidental music for their production of Bertold Brecht's The Good Woman of Sichuan. He has performed Carulli's Guitar Concerto in A, Leonard Bernstein's West Side Story and Marvin Hamlish's A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony's co-production of George Gershwin's Opera Porgy and Bess.
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Jacques Ibert: Entr'acte: Flute & Guitar: Instrumental Work
14.99
Jacques Ibert: Entr'acte: Flute & Guitar: Instrumental Work
Flûte et Guitare
[Partition]
Leduc, Alphonse
Jacques Ibert (1890-1962) studied at the Paris Conservatoire before embarking up...
(+)
Jacques Ibert (1890-1962) studied at the Paris Conservatoire before embarking upon a successful composing career. The composer wrote for a variety of instruments and his works remain popular to this day Entr'acte for Flute or Violin and Guitar being no exception. Composed in 1935 Entr'acte is suitable to intermediate level flautists violinists and guitarists. Ibert was a unique composer who did not associate himself with any particular style. His music is generally lighthearted often reflecting the composer's wit and humour. Containing a variety of musical aspects and techniques and significantly composed for an unusual arrangement of Flute or Violin with Guitar accompaniment Ibert's Entr'acte is an exciting addition to the intermediate level Flute Violin and Guitar repertoire.
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Jacques Ibert: Histoires 6 Pièces: Flute & Guitar: Score
26.99
Jacques Ibert: Histoires 6 Pièces: Flute & Guitar: Score
En Français
Flûte Ou Violon Et Guitare
[Partition]
Leduc, Alphonse
1.La Meneuse de Tortues d'Or; 2.Le Petit Ane blanc; 5.Dans la Maison triste; 8.L...
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1.La Meneuse de Tortues d'Or; 2.Le Petit Ane blanc; 5.Dans la Maison triste; 8.La Cage de Cristal; 9.La Marchande d'Eau fraîche; 10.Le Cortège de Balkis (for flute (or violin) and guitar)
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The Best Of Mauro Giuliani
18.73
The Best Of Mauro Giuliani
En Français
Guitare
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Intermédiaire
Durand
Mauro Giuliani is considered today to have been the most important guitarist-com...
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Mauro Giuliani is considered today to have been the most important guitarist-composer of the early nineteenth century. Not only was Giuliani the foremost player of his day: his fame reached far beyond the realm of guitar enthusiasts, earning him a place among the musical élite as a complete, versatile musician. Even so, by the end of the nineteenth century he was largely forgotten and his music managed to retain little more than a marginal presence in the repertory of the great guitarists of the early twentieth century. The current revitalization of his work owes its origins to the monumental research begun by Thomas Heck in 1971 and continued by Ruggero Chiesa, Mario Torta, Marco Riboni, and Gerhard Pen. Thanks to the dedication of these scholars, Giuliani's music has progressively returned to its erstwhile prominence in the performing repertory. Giuliani wrote some 230 works, of which 150 carry opus numbers. They consist above all of pieces for solo guitar and a considerable quantity of chamber music for guitar and violin, flute, piano, or voice, as well as three guitar concertos. Based on the texts of the first published editions, the pieces in this collection have been revised only with the addition of fingering (according to the technique documented in Giuliani's method (Studio per la chitarra opus 1) and his Esercizio per la chitarra contenente 24 pezzi della maggiore difficoltà, diversi preludi passaggi ed assolo opus 48, published by Steiner in 1813) and the correction of obvious typographical errors. / 1 Ou 2 Guitare(s)
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Backup Trax - S And J (DIX BRUCE)
20.57
Backup Trax - S And J (DIX BRUCE)
Guitare, Violon, Mandoline, banjo, Flûte Traversiè
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Débutant
Mel Bay
for Guitar, Violin, Mandolin, Banjo, Flute and other C Instr. Par DIX BRUCE. Ave...
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for Guitar, Violin, Mandolin, Banjo, Flute and other C Instr. Par DIX BRUCE. Avec ce paquet de livre/CD vous apprendre les mélodies et isolation sur 12 des progressions de corde plus populaires et les plus importants dans le swing et le répertoire jazz - cycle des quintes - majeure de la pratique et des progressions mineures avec II-V-I, I-VI-II-V-I, I-III-VI-II-V cordes changements - blues majeurs, mineurs et 6/8 - et beaucoup plus--tous fondés sur swing préféré et de jazz hits. Jouer avec une section rythmique de chaîne chaud : guitare, mandoline et basse avec des mélodies de plomb a joué au saxophone ténor. Chaque mélodie apparaît dans la notation standard pour les instruments de C, tablature pour guitare et tablature mandoline. L'enregistrement comporte toutes les mélodies à vitesse lente et régulière. Mélodies pour les mélodies sont comptabilisées à demi vitesse avec seulement guitare accompagnement avant chaque piste avec le groupe complet. Instruments sont isolées pour une flexibilité maximale. En ajustant le contrôle de l'équilibre sur votre chaîne stéréo, vous pouvez entendre 1) la pleine bande - 2) guitare et basse seulement (vous jouer la mélodie de plomb du livre) - ou 3) mandoline, mélodie, et... / Niveau : Débutant / Swing - Play Along / Recueil / Guitare, Violon, Mandoline, banjo, Flûte Traversiè
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Gabriel Fauré: Pièce: Flute: Score
9.50
Gabriel Fauré: Pièce: Flute: Score
Flûte et Guitare
[Conducteur et Parties séparées]
Leduc, Alphonse
for flute (or oboe or violin) and guitar
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100 Christmas Carols And Hymns (BAY WILLIAM)
26.13
100 Christmas Carols And Hymns (BAY WILLIAM)
Flûte et Guitare
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Intermédiaire
Mel Bay
Par BAY WILLIAM. Through the centuries, the Christmas season has inspired compos...
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Par BAY WILLIAM. Through the centuries, the Christmas season has inspired composers, poets, lyricists and hymn writers to apply their craft in devotion to this event.This book presents 100 arrangements of favorite Christmas carols and advent hymns for violin solo with guitar accompaniment. Suggested chordal accompaniment is included for each solo so that any chordal instrument can accompany the violin. The author has also indicated whether the guitarist should use fingerstyle or strum accompaniment. The music in this book spans centuries and represents a wonderful assortment of solos which may be used as preludes or offertories throughout the various seasons in the church year. / Niveau : Intermédiaire / Musique religieuse / Recueil / Flûte Traversière et Guitare
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100 Ultimate Smooth Jazz Riffs for Guitar (GORDON ANDREW D)
26.86
100 Ultimate Smooth Jazz Riffs for Guitar (GORDON ANDREW D)
Guitare
[Partition + Accès audio]
ADG productions
Par GORDON ANDREW D.. With the continued worldwide success of the book series Ul...
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Par GORDON ANDREW D.. With the continued worldwide success of the book series Ultra Smooth Jazz Grooves that I co-authored with sax player Frank Villafranca based on compositions that we wrote for our band The Super Groovers, I have now authored this series of Smooth Jazz books for the following instruments: Piano/Keyboards, Guitar/Bass, Flute, Clarinet, Violin, Tenor and Alto Saxes, Trumpet and Trombone. Smooth Jazz covers a wide variety of different styles and I have combined elements of Jazz, Rock, Pop, Blues, Latin, GospeL Funk and RandB, Classical, Folk, New Age styles into the examples in the book. Smooth Jazz? is a genre of music that is predominately instrumental, usually very melodic in nature and in most cases features some jazz improvisation. and is usually performed at a medium tempo and tends to feature piano /keyboards, saxophone, trumpet, and guitar as the most common lead instruments playing the melody. Most Smooth Jazz is well produced and has memorable melodies over a backdrop of multiple tracks of rhythm instruments, keyboards, guitar, strings, synth pads, drums and percussion. Each riff has been recorded with the solo melodic instrument along with a rhythm backing track of guitar, keyboards/synths, bass, drums/percussion followed by just the backing tracks for you to practice with. Also included are backing tracks playing the chord progression through 10 times giving you extended time to practice your improvisational skills using the riffs in the book and developing them into your own style. / Date parution : 2022-09-07/ Etude / Guitare
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Peter Maxwell Davies: Renaissance Scottish Dances: Chamber Ensemble: Score and
Flûte Traversière, Clarinette, Guitare, Violon, Violoncelle Et Percussions
Boosey and Hawkes
Written for an instrumental ensemble consisting of Flute Clarinet Violin Cell...
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Written for an instrumental ensemble consisting of Flute Clarinet Violin Cello Guitar Percussion this set of seven delightful realisations of early Scottish dances from the 16th century is both pleasing to listen to and relatively easy to perform yet not without enough difficulties to provide a challenge to young players.
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Da Capo! Encore! Zugabe!
24.42
Da Capo! Encore! Zugabe!
Flûte et Guitare
Schott
/ Flûte Traversière Et Guitare
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Mauro Giuliani: Grosse Sonate Op.85: Mixed Ensemble: Instrumental Work
15.50
Mauro Giuliani: Grosse Sonate Op.85: Mixed Ensemble: Instrumental Work
Flûte et Guitare
[Partition]
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Intermédiaire/avancé
Zimmermann
Mauro Giuliani was born in Bisceglie Italy in 1781. He was one of the most fam...
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Mauro Giuliani was born in Bisceglie Italy in 1781. He was one of the most famous guitarists and composers in the early 19th century. In 1806 he settled in Vienna where he was celebrated as a virtuoso composer and teacher and stayed there until 1819. Via Venice and Rome he came to Naples where he spent the last five years of his life until he died on the 8th May 1829. From his vast oeuvre comprising about 220 works the two Duets for Flute or Violin and Guitar Op.25 and Op.85 are his key works from the genre that have been most played and recorded.This edition of the Grand Duo Concertant Op.85 for Flute or Violin and Guitar has been editedby Henner Eppel and Volker Höh.The solo flute (or violin) part is also included on a separate insert.
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Kurt Schwertsik: Sotto voce op. 39: Ensemble
16.99
Kurt Schwertsik: Sotto voce op. 39: Ensemble
Flûte Traversière, Violon, Guitare et Violoncelle
Boosey and Hawkes
Gedämpfte Unterhaltung-Flute Violin Cello Guitar. Schwertsik K
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Mason Williams: Classical Gas(Mason): Guitar: Artist Songbook
22.95
Mason Williams: Classical Gas(Mason): Guitar: Artist Songbook
Guitare
Alfred Publishing
Mason Williams emerged in the late 1960???s as a strong force in television and ...
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Mason Williams emerged in the late 1960???s as a strong force in television and music circles. He is most widely known as composer and recording artist of mega hit Classical Gas which won three Grammy Awards. Recent honors include an Honorary Doctorate of Music from Oklahoma City University and in 2000 Mason was officially designated the Musician Laureate for the State of Oregon.This celebratory folio features a bumper selection of the classical guitar star's all-time favourite arrangements and compositions. Not only does the collection offer some sumptuous solos for the accomplished classical guitarist but seven further pieces have been included for guitarduet guitar trio and guitar with flute or violin.Every piece included in this anthology has been presented on an accompanying CD performed by the man himself! Furthermore fans of Mason Williams will be delighted to discover a biography of the virtuoso alongside countless details concerning his awards performances other projects TV appearances and much more.
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Eugène Bozza: 3 Pièces: Flute & Guitar: Instrumental Work
19.99
Eugène Bozza: 3 Pièces: Flute & Guitar: Instrumental Work
Flûte et Guitare
[Partition]
Leduc, Alphonse
To this day Eugène Bozza (1905-1991) remains one of the most prolific composer...
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To this day Eugène Bozza (1905-1991) remains one of the most prolific composers for wind instruments despite being a violinist himself. His 3 Pieces for Flute and Guitar are no exception to the composer's success. During his studies at the Paris Conservatoire Bozza won prizes for Violin conducting and composition as well as the Grand Prix de Rome. He then conducted the orchestra of the Opéra-Comique and became Head of the Conservatoire in Valenciennes whilst remaining a prominent composer. Composed in 1977 Bozza's 3 Pieces for Flute and Guitar is a virtuosicwork addressing advanced features including complex rhythms chromaticism a wide range and articulation as well as exploitation of the ensemble. As music educationalist Paul Griffiths has written of Bozza's compositions 'his works reveal melodic fluency elegance of structure and a consistenly sensitive concern of instrumental capabilities.'
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Celtic - Play Along (DIVERS AUTEURS (ARR)
22.14
Celtic - Play Along (DIVERS AUTEURS (ARR)
Violon et Piano
[Partition + CD]
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Facile
Universal Edition
8 Easy To Intermediate Play-Alongs Of Well-Known Pieces From Ireland, Scotland, ...
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8 Easy To Intermediate Play-Alongs Of Well-Known Pieces From Ireland, Scotland, Wales, Cornwall And Brittany. Par DIVERS AUTEURS (ARR.MARTIN TOURISH). Martin Tourish is an accordionist, composer and musicologist from Co. Donegal, now based in Dublin. Celtic music is in his blood, for his ancestors were noted collectors of dance music manuscripts dating back to the 19th century. With many recordings to his credit, he now offers his expertise to performers wishing to explore the rich culture of Irish and other Celtic music on a variety of instruments. 'World Music - Celtic” presents material from the Irish, Scottish, Welsh, Cornish and Breton traditions. It makes no great technical demands on the players, but Tourish points out that notation of this music is often 'skeletal”, hence it is important to gain a knowledge of the individual traditions in question and, naturally, he offers plenty of information on performance practice. The collection spans three centuries, from the blind bardic harpists of the 18th century to the international performers of the present day. Tourish accepts that this volume can only scratch the surface of a multi-faceted genre but hopes you will see it as a stepping stone to delve deeper into recordings, festivals and the very communities whence this music comes. 'World Music - Celtic” is available in four formats, each with complete recordings and backing tracks on CD: as solo versions for violin, flute or saxophone (with piano) and in an ensemble version for two melodic instruments (C, Bb or Eb), piano, guitar, bass and bodhrán. / Niveau : Facile / Recueil / Violon et Piano
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Ram Buck: The Great Pretender: Ensemble: Score and Parts
22.99
Ram Buck: The Great Pretender: Ensemble: Score and Parts
Italiano
Orchestre d'harmonie
[Conducteur et Parties séparées]
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Facile
Carisch
Arrangement and Orchestration by Andrea Cappellari. Full score and 24 parts: 1) ...
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Arrangement and Orchestration by Andrea Cappellari. Full score and 24 parts: 1) C Instr. (Flute) / 1) Bb Instr. (Clarinet Soprano Sax. Trumpet) / 2) C Instr. (Flute Violin) / 2) Bb Instr. (Clarinet) / 3) C Instr. (Flute Violin) / 3) Bb Instr. (Clarinet Soprano Sax. Trumpet) / 4) C Instr. (Violina) / 4) Bb Instr. (Clarinet) / 5) C Instr. (Violin) / 5) Eb Instr. (Alto Sax.) / 6) C Instr. (Violin) / 6) Eb Instr. (Alto Sax.) / 7) C Instr. (Violin) / 7) Bb Instr. (Clarinet Soprano Sax. Trumpet) / 7) Eb Instr. (Alto Sax.) / 8) C Instr. (Violin)Bb Instr. (Clarinet) / 8) Eb Instr. (Alto Sax.) / Guitar / Piano 1 / Piano 2 / Bass Cello Bassoon / Maracas Snare drum / Claves Bass drum / Four Hands Piano ad libitum. Performance possibile also without Piano.
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Jacob Gade: Tango Jalousie (Tango Tzigane) (Chamber Group): Flute & Violin:
15.99
Jacob Gade: Tango Jalousie (Tango Tzigane) (Chamber Group): Flute & Violin:
Flûte, Violon, Guitare
[Partition]
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Intermédiaire/avancé
Wilhelm Hansen
The most famous Tango of them all and one of the most famous pieces in the worl...
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The most famous Tango of them all and one of the most famous pieces in the world! Originally written for the Donald Crisp film Don Q Son of Zorro the piece has become one of Denmark's most recognisable melodies. This version offers a choice of performance options: Flute and Guitar Violin and Guitar or a full Solo Guitar arrangement.
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